Wish album cover

1992 · Studio Album · Fiction Records (UK) / Elektra (US)

Wish

The Cure

12 songs 1h 5m 3 singles
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About the Album

The Cure’s ninth studio album — a mix of sprawling, shoegaze-tinged atmospherics and bright, hooky pop, that balanced the band’s signature melancholy with some of their most approachable songwriting (including the massive hit “Friday I’m in Love”). It’s their most commercially successful studio album and marked the end of one era of the band lineup while capturing them at a high point of popularity.

The band recorded Wish in late 1991 / early 1992 at The Manor in Oxfordshire; sessions were relatively peaceful and communal compared with some earlier periods — the band lived and worked together during the record, resulting in a dense, band-oriented sound. Coming off the overwhelmingly praised Disintegration (1989), The Cure were at both a critical and commercial peak; Wish retained the atmospheric textures of earlier work while steering into brighter, more pop-oriented territory on several tracks. Line-up notes: Wish was the first studio album to feature Perry Bamonte as a full member and the last studio record to feature drummer Boris Williams (and, for a long while, guitarist Porl Thompson). The period immediately after Wish saw lineup shifts and eventually a slowdown in the band’s mainstream visibility.

The Recording Story

Location

Recorded at Hookend Recording Studios in Checkendon, Oxfordshire, England. The remote countryside location provided the perfect isolation for the band to create their darkest and most atmospheric work.

Production

Produced by David M. (Dave) Allen and the Cure (Robert Smith / band). The recording sessions spanned several months, with the band embracing a more expansive and layered sound.

Behind the Sound

Robert Smith was going through a period of reflection and melancholy as he approached his 30th birthday. This emotional state heavily influenced the album's introspective and atmospheric nature. The band experimented with longer song structures, lush synthesizer textures, and dreamy guitar tones, creating a soundscape that would define gothic alternative rock for decades to come.

Band Members

Robert Smith

Robert Smith

Vocals, Guitar, Keyboards

Porl Thompson

Porl Thompson

Guitar, Keyboards

Simon Gallup

Simon Gallup

Bass Guitar

Boris Williams

Boris Williams

Drums, Percussion

Lol Tolhurst

Lol Tolhurst

Keyboards

Roger O'Donnell

Roger O'Donnell

Keyboards

Tracklist

12 tracks · 1h 5m

# Title Duration Listen
1 Open 6:51
2 High 2:37
3 Apart 6:38
4 From the Edge of the Deep Green Sea 7:44
5 Wendy Time 5:13
6 Doing the Unstuck 4:24
7 Friday I'm in Love 3:38
8 Trust 5:33
9 A Letter to Elise 5:14
10 Cut 5:55
11 To Wish Impossible Things 4:43
12 End 6:45
12 tracks
Total Duration: 1h 5m 15s

Singles

3 singles released from this album

High
1

High

March 1992

#8 UK#42 US Hot 100#1 US Modern Rock chart
Friday I’m in Love
2

Friday I’m in Love

May 1992

#6 UK#18 US
A Letter to Elise
3

A Letter to Elise

October 1992

Critical Acclaim

A towering achievement in gothic rock, this is The Cure's masterpiece of atmospheric melancholy.
Breathtakingly beautiful and devastatingly sad, this is The Cure at their most expansive and emotionally raw.
An epic exploration of loss, longing, and despair that transformed alternative rock forever.
The Cure's crowning glory, a record of stunning emotional depth and sonic innovation.

Album Era Gallery

Instruments & Gear

Guitar

Fender Jazzmaster

Played by Robert Smith

The signature guitar tone throughout the album

Bass

Fender Bass VI

Played by Simon Gallup

Providing the deep, melodic bass lines

Synthesizer

Roland Juno-60

Played by Roger O'Donnell

Creating the lush atmospheric pads

Synthesizer

Oberheim OB-Xa

Played by Lol Tolhurst

String and pad sounds

Synthesizer

Yamaha DX7

Played by Various

Electric piano and bell tones

Drums

Ludwig Drums

Played by Boris Williams

Powerful yet restrained drumming